Here, they’re postcards we glimpse on our way to the next set piece. Why is there a painting of their battle with Edgar in the London office but not the New York one? Are they both still active service? Is it, as heavily implied, the case that Molly is the first woman the MiB have recruited in DECADES? All these issues are perfect for a script to explore.
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Seriously, while it makes sense to hang the movie off a different agent, the total lack of discussion of New York’s heroes plays as more than a little odd.
Her training is reduced down to a montage, there’s no indication of any change whatsoever in the New York office since we were last there a decade ago and J and K are conspicuous by their absence. The script, by Art Marcum and Matt Holloway, is to be commended for getting M inside the building as fast as it does but honestly not terribly much else. All of these things are massively fertile ground for an entire movie’s worth of plot. The evolution of the MiB from a police force to a diplomatic organisation, the collision between their reality and our reality, the idea that a field agent can make a mistake. MiB International is a great idea, almost the perfect legacy sequel and it spends it’s entire first half walking up to some fascinating and timely issues. I genuinely can’t remember the last time I saw a movie that was so passively entertaining and that missed every single target it aimed for. And M is about to find out just what H’s problem is as it returns to Earth, bent on conquest… H is a brilliant, heroic agent who…well…something is a little off about. Newly qualified, Agent M is seconded to London and gets herself assigned as H’s partner.
Impressed by the young woman’s drive, and perhaps desperate to change things up a bit, O offers her a job. It takes her twenty three years but she finds them, finds proof. After a close encounter changes her life for ever, Molly Wright dedicates herself to discovering the truth not just about aliens but the Men in Black.
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